I got up at four in the morning just to get a drop on all of the other Black Friday bloggers.
Schlock Mercenary: November 30, 2015
8 minutes ago
Comments, observations and thoughts from two left coast bloggers on applied statistics, higher education and epidemiology. Joseph is a new assistant professor. Mark is a marketing statistician and former math teacher.
Mr. Trump relies on social media to spread his views. This is convenient because there’s no need to respond to questions about his fabrications. That makes it imperative that other forms of media challenge him.I actually laughed out loud when I read that one. The asking of challenging questions has long been the exception, almost entirely reserved for safe targets. For a variety of reasons, the original three establishment GOP candidates were able to say nearly anything without danger of follow-up. Bush's 4%. Rubio's vanishing refundable tax credit. Walker's numerous scandals.
Extreme nationalism, by its nature, requires its adherents to form judgments about the nature of foreign countries that are clear-cut, but also wildly inconsistent over time, as the interests and alliances of one’s own country inevitably mutate. The current state of right-wing thought has gone beyond the natural sympathy one might feel toward the people of France in the wake of the barbaric murders in Paris toward a new line best expressed by Charles Krauthammer, the leading party theorist. “If the other goal of the Paris massacre was to frighten France out of the air campaign in Syria — the way Spain withdrew from the Iraq war after the terrorist attack on its trains in 2004 — they picked the wrong country,” writes Krauthammer. “France is a serious post-colonial power, as demonstrated in Ivory Coast, the Central African Republic and Mali, which France saved from an Islamist takeover in 2013.” Those French colors don’t run.
Conservatives who now fervently believe they have always been the strongest of allies with France may need to expunge from their memory certain unpleasant events of the past. In the run-up to the Iraq War, nationalist fervor expressed itself in no small measure through intense hatred of that very same country, which represented everything they despised: generous social-welfare provisions, (alleged) cowardice, an attachment to diplomacy and international institutions. House Republicans officially changed the name of their cafeteria’s French fries to “freedom fries.” France was the heart of what Don Rumsfeld derisively called “Old Europe” and the subject of a 2004 book entitled Our Oldest Enemy, authored by a senior editor at National Review. Its essential qualities were treason and cowardice, its outsize role in world affairs a tragic relic.
The highbrow version of this theory was elucidated by Krauthammer. “France pretends to great-power status but hasn't had it in 50 years. It was given its permanent seat on the Security Council to preserve the fiction that heroic France was part of the great anti-Nazi alliance rather than a country that surrendered and collaborated,” he wrote in 2003. “Why in God's name would we want to re-empower the French in deciding the post-war settlement?” he asked. It sought to form “a French-led coalition of nations challenging the hegemony of American power and the legitimacy of American dominance,” a treacherous scheme Krauthammer traced back to Charles de Gaulle. Now France is a “serious post-colonial power,” its decades of anti-American scheming forgiven and forgotten.
A characteristic feature of polarization seems to be the impression that one’s own side is reasonable and that all the polarizing comes from the other side of the political aisle.
I came across an amusing example of this today, ironically from a political scientist, Gerard Alexander, who, in an op-ed entitled, “Jon Stewart, Patron Saint of Liberal Smugness,” writes:
Many liberals, but not conservatives, believe there is an important asymmetry in American politics. These liberals believe that people on opposite sides of the ideological spectrum are fundamentally different.This is just too perfect. It’s a beautiful paradox. If Alexander is right, then there is an important asymmetry in American politics, which is the thing that he’s saying conservatives don’t believe! If he’s wrong, then there is no asymmetry, which is what he’s saying conservatives believe in the first place. It’s like something out of Lewis Carroll.
Also this, from Alexander:
My strongest memory of Mr. Stewart, like that of many other conservatives, is probably going to be his 2010 interview with the Berkeley law professor John Yoo. Mr. Yoo had served in Mr. Bush’s Justice Department and had drafted memos laying out what techniques could and couldn’t be used to interrogate Al Qaeda detainees. Mr. Stewart seemed to go into the interview expecting a menacing Clint Eastwood type, who was fully prepared to zap the genitals of some terrorist if that’s what it took to protect America’s women and children.First off, let me say that this is a horrible thing to say about Clint Eastwood, who was never involved in this:
Mr. Stewart was caught unaware by the quiet, reasonable Mr. Yoo, who explained that he had been asked to determine what legally constituted torture so the government could safely stay on this side of the line. The issue, in other words, wasn’t whether torture was justified but what constituted it and what didn’t.
On December 1, 2005, Yoo appeared in a debate in Chicago with Doug Cassel, a law professor from the University of Notre Dame. During the debate, Cassel asked Yoo,
‘If the President deems that he’s got to torture somebody, including by crushing the testicles of the person’s child, there is no law that can stop him?’, to which Yoo replied ‘No treaty.’ Cassel followed up with ‘Also no law by Congress — that is what you wrote in the August 2002 memo’, to which Yoo replied ‘I think it depends on why the President thinks he needs to do that.’
In Las Vegas casinos, they have these things called "comps" which are not unlike the parting gifts you get just for showing up on a game show. If you gamble long enough, you can usually ask a hotel employee for a freebie: A free meal, a free show, a free t-shirt. If they get to know you as a frequent player/loser, you might be able to achieve an "RFB" comp, the "RFB" standing for "Room-food-beverage."
Let me explain how comps are dispensed. The folks who deal Blackjack (or run the crap games or spin the roulette wheels) work at groups of tables — usually four-to-six — and one low-level exec of the casino keeps an eye on the gaming at those tables and makes whatever decisions have to be made. Dealers never make decisions of any kind about anything.
In most hotels, the execs are officially called Casino Hosts but no one calls them that. They're usually called "Pit Bosses," hearkening back to the days when they were Pit Bosses. The difference between a Casino Host and a Pit Boss is basically the same as the difference between a sanitary maintenance engineer and a janitor.
One of the many responsibilities of a Casino Host is to keep an eye on who's losing and who's winning and to award comps to guests who are giving the hotel a lot of "action." If they start offering you "RFB" comps, it's because they figure to make a lot of money off you if you gamble in their establishment. They are usually not wrong.
Actually, comps create a strange situation in the fancier Vegas hotel restaurants, at least for those who are dining there and intending to pay. At any given time, most of those eating there are on comps. This means that the eatery has no incentive to price its meals fairly. There is, in fact, every reason to overprice. The higher the listed price of a comped meal, the bigger a "gift" it seems.
There's a story that has made the rounds of the gaming industry: One evening, following a rousing bout of losing at the Hacienda, a high-rolling outta-towner was comped to the dining room. He ordered, as most do, the most expensive item on the menu — a steak-and-lobster combo for $25.00.
A few weeks later, a Hacienda exec called the guy in his home town, inviting him to fly in again — all at the hotel's expense, of course. "We'll fly you in first class, put you up in one of our finest suites, comp all your meals, arrange ringside seats for the show…" (That should give you some idea how much they expected this fellow to lose.)
The high roller thanked him but said he was already flying in soon — as the guest of the Marina, across the street. "But why?" the Hacienda exec asked. "Didn't we treat you right when you were here? Remember that great steak-and-lobster dinner we comped you —?"
"Yes," he said. "But over at the Marina, they comped me to a thirty dollar steak-and-lobster combination."
That afternoon, the story goes, the price of the steak-and-lobster combo at the Hacienda was raised to $32.00. There was no change in the portion. They just raised the price.
I don't know if this is true, nor do I know the names of the hotels involved. I just stuck in the Hacienda and the Marina arbitrarily and because they're both defunct. But that kind of thing goes on with comps and the restaurants that redeem them don't care half as much about paying customers as the non-paying kind.
Frank Fay is considered the very first stand-up comedian. Prior to his emergence in the early 1920s, comedians accompanied their act with props and funny costumes. Even those without gimmicks rarely appeared onstage alone. Comedians had their punchlines set-up by another person, a straightman. To be a comedian meant you performed with the help of a costume or an instrument or another guy. “A comedian without a prop can’t click,” said actor Wesley Ruggles. “I learned that back in the days when I pushed the props around for Charlie Chaplin. Great pantomist that he is, Chaplin realizes the necessity of props.”
Frank Fay realized that as long as you knew what you were doing, as long as you had confidence in your material, props weren't necessary at all. The comedians insisting on props and costumes did so out of conformity or out of fear. Fay started with gimmicks like everyone else, wearing baggy pants, squirting seltzer, delivering straight lines for a comedian that circled him on roller skates - and he hated it. After humiliating himself onstage for two years, Fay decided to use the same persona he had offstage. No props, no costumes, no partner, he took to the stage wearing a well-tailored tuxedo and told jokes alone. It was so unconventional that The New York Times frowned: "“Fay needs a good straight man, as before, to feed his eccentric comedy." There was initial resistance to a man just standing and talking, but Fay's success would transform stand-up as an artform. Fellow comedians saw Fay succeed and they abandoned their props and emulated his style. Jack Benny, Milton Berle, Bob Hope and Jack Paar all cited him as an influence. Fay became one of the most influential stand-up comics of all time.
He was also comedy's most notorious racist. In January 1946, several months after Germany had been defeated, a rally of ten thousand white supremacists gathered at Madison Square Garden. They delivered speeches in support of Franco, Mussolini and their fallen hero Adolf Hitler. They promised that the defeat of Germany would not go unpunished. The podium was beneath a banner that saluted their guest of honor. The event was called "The Friends of Frank Fay."
People were resistant to hire him in Hollywood now that his anti-Semitism was famous. “In a business known for its lack of bigotry, he was a bigot,” said comedy writer Milt Josefsberg. “This was no secret, but widely known and well substantiated.” Fay married the struggling actress Barbara Stanwyck in 1928, before she found stardom. When she became famous, a joke about Fay made the rounds:
Q: Which Hollywood actor has the biggest prick?
A: Barbara Stanwyck.
While many celebrities distanced themselves from Fay, he found a friend in the popular radio commentator Father Charles Coughlin. Coughlin railed against “Jewish bankers” and spoke favorably of Mussolini and Hitler. His crusade against trade unions, social security and many elements of President Roosevelt's New Deal (Coughlin reportedly called it The Jew Deal) made him a hero to anti-Semites and a friend of Fay. Coughlin's political views would influence Fay in the years to come.
In 1944 he was resurrected by Broadway director Antoinette Perry, for whom the Tony Award is named. Perry cast Fay as the star of Harvey, a Pulitzer Prize winning play about an alcoholic that befriends a vision of an invisible rabbit. It brought Fay back to prominence and ran nearly eighteen hundred performances. He used his latest success to endorse Franco, Spain's fascist dictator.
At the end of 1945, several members of the theatrical union Actor's Equity rallied in favor of Spanish Refugee Appeal. Actors David Brooks, Jean Darling, Luba Malina and Sono Osato criticized the Spanish Catholic Church for executing leftists and campaigned to help Spanish leftists in exile. Fay was furious. He said their criticism was an attack on Catholicism as a whole. Fay demanded Actor’s Equity investigate each anti-Franco member for un-American activity.
The House Committee on Un-American Activities acted on Fay’s suggestion and the actors were vetted. The New York Times reported that Fay “held no brief against any member of [Actor’s Equity] for political beliefs. He resented, however, that Equity members should be party to rallies that condemn religious groups.” Equity president Bert Lytell objected to the political investigation. “Equity members have a wide latitude of interests and beliefs that they may practice and advocate as private citizens.” Actor’s Equity stood by Brooks, Darling, Malina and Osato. Rather than expel them from his union, Lytell censured Frank Fay for “conduct prejudicial to the association or its membership.”
In response to the censure, allies of Franco, members of the Ku Klux Klan and the American Nazi party organized a rally at Madison Square Garden in January 1946 called "The Friends of Frank Fay.” Speakers included Klan ally Joseph Scott, Nazi Laura Ingalls, publisher of anti-Semitic pamphlets John Geis, and the prolific Joseph P. Kamp, who had used the KKK's mailing list to distribute his work about “Jewish influence” and America’s “Communist President” Franklin D. Roosevelt.